RECUPERATION IN THE STATE SPACE

In technological terms, titanium shavings are industrial waste. This is not the final, but one of the possible, intermediate forms of existence of the material. In this cycle, titanium is accompanied by numerous manipulations associated with processing on various equipment. But what information about himself, besides the visible shell, can he give in any of his possible states?

Each element of titanium shavings is unique; it has its own length, curve lines, and glare surfaces. Using these characteristics, artists approach metal from a deep media perspective – titanium acts as a sound wave generator and an electromechanical audio signal processor. Real-time physical and chemical property data and color sensor data regulate the parameters of these generators. The received sound signals are passed through and processed through the body of four whorls of chips.

The transition to a new quality becomes the very stage that allows you to get out of the state of technological death, to reveal the inner potential of the material, previously unknown to anyone.

Four-channel sound outlines a moving sound space and forms for the viewer a zone of study that exists only within the established spatial and temporal limits.